Showing posts with label poems. Show all posts
Showing posts with label poems. Show all posts

Wednesday, March 4, 2009

Along the line, at railway gate No. 58

My dear students, friends, colleagues and well-wishers,

Today, 5 March 2009, I complete 58 years. Along the railway line of my life, I stand at railway gate No. 58. For all these years coming freely to me, I am grateful to my mother, the late Amy, and my father, the late Denis, and to our Mother Earth, for whom I know I have not cared enough, when I look at the way I selfishly care for my family, students, friends and work colleagues.

I am also playing my second innings now. For this, I am thankful to modern medicine, the Pune Heart Brigade (phone 1050), my wife Kalpana and daughter Pallavi, neighbours, friends and my brother-in-law Rajeev, who rushed me to hospital. Having survived my heart attack of 2 September 2006, unlike so many of my good friends and relatives, life is new and always fresh.

Sometime back Kajal Iyer tagged me, asking to know 25 random things about me. I took part for fun. But I am now going to rewrite the FB note I made then, and edit that list to write up this auto-sketch – at railway gate No. 58.

*****

Why at railway gate No. 58? Simply because I am the eldest son of a railwayman, who used to get transferred from place to place. So I know what it is be on the move like a gypsy. And therefore I can appreciate settling down and setting down roots. What would I give in exchange for all the money in the world? A chance to meet even one of my school-mates from that “lost childhood” when I was a little boy in the small railway towns of Jabalpur and Nagpur (1956-57), Solapur (1957-58) and Manmad (1958-61).

As I recall that journey, let me honour my mother, one of India’s greatest playback singers, hailed in the late 1940s as the “Lata Mangeshkar of the Konkani stage” – Amy Pinto, nee Mary Therese D'Cruz (1925-69). I’m older now than her then by 14 years; she died at the age of 44. Nearing 40 years since she died, yet she sings within my heart.

Confined to the four walls of our home, she taught us, her children – her Class of Three; after 1962, it was a Class of Four. I used to be a great one for gathering piles of books as prizes in school, till my mother learned me the lesson, “If you can, compete – with yourself”.

Also let me shower flowers on the fair name of my father, Denis John Pinto (1923-2001), an upright and God-fearing man, who put up with endless pain, suffering and deprivation because … “Honesty is the best policy”. The other person as equally upright is my father-in-law, Prof. K.L. Joshi (born 1922).

*****

When I was in my early 20s and the hippies wore flowers in San Fransisco, I used to have long hair up to my shoulders; later I grew a beard. This was the result of the world-wide protests against the unjust war in Vietnam and the Campaign for Nuclear Disarmament (CND), a part of my growing-up years in school and college – a deep and permanent influence. Also let me mention the dearly-held musical relics, including the Beatles, Led Zeppelin, Pink Floyd, Bob Dylan, Joan Baez, Pete Seeger.

I can’t remember the day when I was not in love – with words. So my first crush was virtual, even before the Personal Computer – Agnes – appearing on the pages of the Charles Dickens novel, “David Copperfield”. Now the love in my life, after my love-marriage wife Kalpana, is my daughter J.K. Pallavi. I remember the three years in the cold and wet of Leeds, Yorkshire, England, taking care of her in a back-to-back basement when she was barely three, while my wife did her Ph.D. (And what of my friends, without whom I could have not known that friendship can match up to love?)

I have spent years, off and on, in Mumbai. First as a little boy in the mid-1950s; then in school, college, etc. (1961-73); again after the Emergency (1977-82). What do I miss about Mumbai (I shan’t call it Bombay as the imperial English did)? The trundling trams, when I was a little boy; uncrowded local trains and red BEST buses on a Sunday morning; the common crows, sparrows, mynahs; the great struggle of the textile workers against the robber mill-owners; red flags in a worker morcha at Azad Maidan; the heady mix of faces and tongues from all over India; the discipline on the roads. Above all, the entwined couples clasping hands in municipal gardens ...

What do I NOT miss about Mumbai? The idle rich, gambling on the stock market, who have raped the city; the skyscrapers that blot out the sky; the private vehicles that kill and maim far worse and more deep than terrorist guns; the curse of the Shiv Sena and their ilk, who have brought shame to the glorious inheritors of Chhatrapati Shivaji ...

To give you some more feel and touch for the passing show of my life, here goes. My favourite movie critic, Pauline Kael of the New York Times, who dubbed the “Sound of Music” as the “Sound of Mucous”. A few of my favourite things: the red mud, swaying coconut trees and the fish curry rice of Mangalore; the lilt of my Konkani mother tongue; a few drops of kaju feni, soft cotton garments. And always, books.

Besides, love and peace, compassion for the poor moves me beyond tears. Alongside this post on my blog, I have catalogued my values and beliefs, as well as quotes from my favourite authors and a list of books and websites, including some by my students.

*****

What made me sketch this auto-bio? In a way, groping to prepare for the reality of aging, at the threshold of retirement. Can I retire? Maybe not, in the sense that I’ll stop working. But I shall retire from doing what I do not like. I am coming to grips with work on different terms.

Along the line, at railway gate No. 58, I also await the student, who may exceed me, who may dare to go beyond imagination, against the tide. To whom I can entrust the torch given to me by my ancestors and teachers.

First, my English teacher from Standard VII in St Stanislaus School, Bandra, Mumbai, during 1962-63. Mrs Philomena D’Souza (nee Valladares) used to give us five topics to write one essay every week; I wrote on all five; Mrs Valladares corrected all five, sometimes rewrote them in her own neat hand-writing! Where have all the great Goan gurus gone?

Second, my Chemistry professor from B.Sc. in St Xavier’s College, Dhobitalao, Mumbai, during 1969-71. Prof V. V. Nadkarny, with his white open shirt, dhoti, and black round topi, taught me not only about organic molecules and carbon chains, but also about facing up to life. When arrogantly, I had refused to apolgise after back-answering a laboratory demonstrator, Prof Nadkarny apologised on my behalf though he was the Head of the Department then. His kind and free classes at his Dadar home, under the benign gaze of Ramakrishna Paramhansa, are with me today, though I do not use the chemistry I learned.

Third, the unlettered mofussil elders of village Kasarpimpalgaon, who taught me, “JoeP of KP”, to speak Marathi and learn of “sanskar” when, as a founder-member of the rural NGO called Vistas, I was working in the drought-prone areas of Pathardi taluka, Ahmednagar district, Maharashtra, during 1973-77.

“Those were the days, my friends,
We thought they’d never end,
We’d sing and dance for ever and a day.
We’d live the life we choose,
We thought we’d never lose,
For we were young and sure to have our way.”


The ones who are no more: Smita Patil, Norman “Vikram Salgaonkar” Dantas, Anna Salve. Now the rest (in alphabetical order): Biplab “Bulu” Basu, Vilma Colaco, Dominic D’Souza, Eric D’Souza, Glynis “Asha” D’Souza, John “Babuti” D’Souza, Lancy Fernandes, Nafisa Goga, Pradeep Guha, Ayesha Kagal, Aspi Mistry, Lakshmi “Buchy” Rameshwar Rao.

Fourth, the late Feriwala Francis and Bhabhi as well as the slum-dwellers of Kaju Tekdi, Bhandup, Mumbai, and my comrades at the CITU unit of Prabhakar Sanzgiri. During this same period, my participation as a founder general-secretary of the Lok Vidnyan Sanghatana not only immersed me in the popularisation of science but also introduced me to my Pune girl Kalpana Joshi, whom I married on 26 January 1982.

Fifth, my scribe seniors – S.D. Wagh, Taher Shaikh, Harry David, Y.V. Krishnamurthy – and delightful colleagues at the one and only “our very own” local English daily of Pune, Maharashtra Herald (estd. 1963), where I joined as a sub-editor on a salary of Rs.600 per month on 2 May 1983 and left as assistant editor in 1996.

Sixth, working since August 2006 with the eminent social worker, Shantilal Muttha, Founder and National President of the Bharatiya Jain Sanghatana on trustee empowerment and training programs.

And finally, my students in Pune where I have been teaching print journalism and communication as a regular visiting faculty since 1987, at the invitation and with the cooperation of Dr. Kiran Thakur, P.N. Paranjpe, Dr. Vishwas Mehendale, Prof M.S. Pillai, Ujjwal Chowdhury, Shashidhar Nanjundaiah, Dr. Keval Kumar and many others. If my students have learned anything from me, I have surely learned a lot from them.

*****

And so, at railway gate No. 58, I come full circle.

The packed local trains are the reason why I left the Mumbai that I love so much. When we were staying at Dadar in the late 60s, I used to travel 10 minutes by train from Dadar to school in Byculla. The locals were getting difficult. But my father was a railway officer and, therefore, we got a free First Class pass, so we missed the crush in the third class bogies.

When I joined St. Xavier's in 1967, the journey only got longer, 20-25 minutes from Dadar till VT. But in the first class it was still bearable. Fortunately, I escaped from the locals of Mumbai in 1973 and worked in village Maharashtra from 1973-77. If not for the horrors of the Indira Emergency, I may have never come back to Mumbai. When I got back, the trains were choking.

Slowly, travelling by local trains became a torture that I would dread. And when I was in Bhandup, the agony became too much to bear. Fortunately again, I got married and decided to move to Pune, where I also became a full-time journalist.

On the brink of 58, I dread travelling in Pune too. There are no trains here that can be packed (though I have heard that the locals to and from Lonavla are worse that the locals of Mumbai!!!).

But here we have our local variant of torture on the cruel roads, what I call the “chhote shaitan” – the two-wheelers that in the end may murder Pune, unless public transport improves.

Now the wheels are turning within the wheels. At railway gate No. 58.

Keep in touch. Take care.

Your support is my strength,
- Joe.

Pune, Thursday, 5th March 2009.

Wednesday, January 28, 2009

Really? Is this happening again to India?

My dear students,

Such a joy to report that my students share my blog: look at my posts and the number written by you. The trend started with sharp questions from Amith Prabhu (SIMC), which I tried to answer in “Working one’s way up and other queries”. Gauri Gharpure (Ranade) then sent me a quote about poetry and on an off-chance I decided to carry it because it had to do with "clarity" an issue that concerns journalists, “The Clarity of Poetry”.

Then came two excellent pieces from Smriti Mudgal (SIMC), who has her own blog, "Ambaree" in Hindi. She sent in a highly personal memoir about her love afair with the people of Mumbai: “Mumbai: a people with a sense of purpose”. Smriti then paid a fond tribute to her favourite school teacher: “To Chitra Ma’am … with love, Smriti”. Such is the stuff my blog is made up of (two prepositions at the end of one sentence!?!?!).

And to carry forward the torch for poetry, Baruk Feddabonn from Bangalore asks, “Should You Read Poetry?”.

My colleague, Abhay Vaidya of DNA, Pune, also replied to Amith with, “No room for gifts in journalism”.

Dr Vivek Pinto, my friend from school in Mumbai, who is currently in Tokyo, has also been emailing provocative and thoughtful links (see “Mumbai attacks: one man’s freedom-fighter is another man’s terrrorist”) faster than I can upload on a section of my blog, “Dr Vivek Pinto - Links”, devoted entirely and separately to his contributions.

*****

Now Baisakhi Roy-Tandon, a 2003 SIMC alumnus, who describes herself as “a home-maker, new mom and an avid knowledge-seeker” has sent in a poem, “Ennui.” I have touched it up, here and there, as usual.

Previously, a reporter with The Indian Express, Baisakhi is “sitting on the sidelines, reading up voraciously on history, past and present.” Check out her blog: “Kissing Kin” (“Be well, good, nice, old-fashioned”)

Let Baisakhi introduce “Ennui” in her own words:

*****

By Baisakhi Roy

‘Ennui’ was inspired by a feeling of hopelessness when the Mumbai attacks happened. I was far away in Gaithersburg, Maryland, USA, watching my precious city burn, as it had so many times in the past.

I almost laughed, “Really? Is this happening again?” Will we become another conflict zone like the Gaza Strip and Bosnia? Will it take another 50 years, to live in a peaceful India? This is what we have become: a mess of unresolved issues, a mess in which the glorious legacy of India has been lost and forgotten.

ENNUI

This is a time to gloat;
we are such pieces of work.
This is how we go about
our daily ennui.

We bathe in the sun;
We love, eat, and try to gain respect.
We amble,
gnawing into space.

We hate the sound of white noise,
”This is mine. This is yours”.
We croak, until hoarse.
Scratch, until we bleed.

We send our children
into prompt assemblies
to ask for wisdom:
Good thoughts, words and deeds.

We build our castles
and etherise our air.
Then ask for allegiance
to our whimsical gods.

We broker peace,
Sober in solidarity.
But hide our rancor
To light a wayward fire.


*****

Can you see the budding poets lurking among the journalists? Read the journalists who feel and write like poets. Join them. The pages of my blog, “Against the Tide”, shall be open to you, my dear students. For what greater joy is there for a teacher than to see one’s students go ahead, shining bright.

Your support is my strength.
- Joe.

Pune, Wednesday, 28 January 2009.

Friday, January 16, 2009

Should you read poetry?

My dear students,

When a student of mine from Ranade Institute, Gauri Gharpure in Kolkata, sent in a quote on poetry I used it in the post, "The clarity of poetry" because as a journalist I have been obsessed by clarity. I had no idea then that some of my readers were great admirers of poetry.

One of them, Baruk Feddaboon, based in Bangalore, has his own blog called "bottle broke" Click on the pic below to get into "bottle broke"

"The clarity of poetry" got eleven (11) comments. But it was the diversity of the comments that astonished me, considering this was not a blog for poets. One of my readers, Baruk Feddabonn, who is not one of my students from any of the places where I teach in Pune, had early on introduced himself and I kept thinking to myself, "Here is my Eklavya." So I asked him to do this piece on poetry for journalists.

I have touched up the piece here and there, as is the time-worn custom among subs. I hope Baruk will understand.

By Baruk Feddabonn

Should you read poetry? Hell, I don’t know. Can I tell you why or how to read poetry? Hell, I don’t know! What I do have to offer are a few thoughts on what I have, over the years, got from poems.



The following five pieces:

1. What is Real?
2. Hope
3. Perspectives
4. Weirdness
5. Language and Poetry

are based on poems and bits of poems, some well known, and some not so well known. I do hope these poems help in convincing you that poets are not necessarily the useless buggers they are often made out to be!

1. What is real?

“When Prime Minister Gujral
planned a visit to the city
bamboos sprang up from pavements
like a welcoming committee.

But when he came, he was
only the strident sounds of sirens
like warnings in war-time bombings.”


(When the Prime Minister Visits Shillong the Bamboos Watch in Silence; Kynpham Sing Nongkynrih)

I often hear attacks on poetry for not being ‘factual’. Somehow, not being factual is seen as a bad thing. But honestly, what are facts? And how important are they? A lot of poetry deals with the metaphorical and the imagination. Things are alluded to; often not ‘directly’ spoken of. But is that wrong?

In common language, we speak of the sun rising. ‘Factually’, that is untrue – the sun does no such thing. Nor does it set. The ‘rising’ and ‘setting’ of the sun are our human explanations or metaphors for the natural phenomenon of the earth moving around the sun!

So while the Prime Minister was not ‘factually’ the sound of sirens, that line aptly describes the distance the rulers, even in a democracy, keep from the ruled – visually (bamboos on pavements) and aurally (sirens). And that ‘only’ – describes, better than an entire sentence, the alienation, which the poet felt. So while not ‘factual’, the poem is ‘true’.

And now you decide. Will you transcend the facts and opt for the truth instead?

*****

2. Hope

“Defenseless under the night
Our world in stupor lies;
Yet, dotted everywhere,
Ironic points of light
Flash out wherever the Just
Exchange their messages:
May I, composed like them
Of Eros and of dust,
Beleaguered by the same
Negation and despair,
Show an affirming flame.”


(September 1, 1939; W.H. Auden)

Sometimes, switching on the evening news plunges me into despair. I see war, corporate greed and the non-stop destruction of the natural world. And this is only the news that is reported.

In the not-or-barely-reported news are farmer suicides, Bhopal victims and Binayak Sen. I watch the increasingly self-obsessed lives of the super-rich; the cynical manipulations of politicians and governments; the prostitution of religion to the dictates of power.

It’s easy to get lost in the darkness, at least for me, and I wonder whether it would not be easier, more practical, to pick up a gun. A messy proposition, yes, but maybe a simpler one?

And then I remember this poem.

Written on the eve of the Second World War, the poem by W.H. Auden speaks of the darkness and despair the world is under, trying to understand why. And though that question is never answered, there IS an answer – that what is important, in the end, is to see the “points of light”, and “show an affirming flame.”

I think I can try to do that!

*****

3. Perspectives

Let us go then, you and I,
When the evening is spread out against the sky
Like a patient etherised upon a table;


(The Love Song of J. Alfred Prufrock; T.S. Eliot)

A close friend and I are currently arguing on facebook. He feels, to quote, that “the Israelis have their heads better screwed on than the Palestinians do.”

I utterly and absolutely disagree.

I see the Israeli state as a creation of terrorist incursion, whether the original Israel of the Bible, where God apparently told the Jews to wipe out the Canaanites, or the Israel created in 1947 on the strength of British guns. This friend, by the way, is a reasonable person (as much as we can pretend to be), and hates war as much as I do. But the argument goes on.

Point: many people watch sunsets - on beaches, in the mountains, even from the rooftops of urban homes. Some of us photograph the sunsets. I doubt, however, that anyone has made such a grisly and unlikely comparison, as Eliot does. And while I appreciate the comparison – I find it humorous – I know many people who do not.

While no wars have been fought on what sunsets should be compared to, many wars seem to have been fought for, what to me seem, silly reasons such as country and religion. Then again, maybe you don’t think these are silly reasons. Maybe, we can all benefit from understanding each other’s perspective.

*****

4. Weirdness

“Glory be to God for dappled things—
For skies of couple-colour as a brinded cow;
For rose-moles all in stipple upon trout that swim;
Fresh-firecoal chestnut-falls; finches’ wings;
Landscape plotted and pieced—fold, fallow, and plough;
And all trades, their gear and tackle and trim.

All things counter, original, spare, strange;
Whatever is fickle, freckled (who knows how?)
With swift, slow; sweet, sour; adazzle, dim;
He fathers-forth whose beauty is past change:
Praise him.”


(Pied beauty; Gerard Manley Hopkins)

My grandfather was hardcore working class; when I say he built his house with his own hands, I mean that literally.

In a society dominated by an increasing desire for more power and status, Apu (Mizo familiar for grandfather) was suspicious of all things ‘big’ and ‘authoritative’, and proud, till the day he died, of working with his hands. Fiercely independent and bluntly outspoken, he made some very powerful enemies who almost succeeded in destroying him.

His name, appropriately, was Rualhleia, which loosely translated from the Mizo means ‘he who is not even’. He definitely had a lot of rough edges!

This poem by Hopkins reminds me of my grandfather, in its celebration of the strange, the common and the uneven.

We let others determine who we are and how we respond to the world. Being ‘acceptable’ is important, whatever the cost! Recently, I was berated by a colleague who thought it shameful that I did not, in my position in the company, drive a car.

I have been receiving a slew of emails telling me to forward them, if I am patriotic. I am constantly told that:
- the only hope for India is in the ‘new’ capitalist economy;
- I should be economically successful;
- I should buy more; from recognised brand names;
- crime is something the lower classes do;
- the army is good;
- beauty means fairness;
- I should want to marry, and have children, and care about what happens to the ‘family name’; and
- I should avoid 'weird' people who disagree with what society thinks of as 'acceptable'.

But I can’t do that. My Apu and I, we’ll stand by all that is “counter, original, spare, strange”.

*****

5. Language and Poetry

“I am a venereal sore in the private part of language”

(Cruelty; Namdeo Dhasal; translated by Dilip Chitre)

“Poetry must be raw, like a side of beef,
should drip blood, remind you of sweat
and dusty slaughter and the epidermal crunch
and the sudden bullet to the head.”


(What Poetry Means to Ernestina in Peril; Mona Zote)

“I’ll go for words,
Words are my forte.

Words stab and jab,
Heal, hurt,
Mask, unmask,
Paint pictures.

Words
Create.”


(Power of Words; Malsawm Hriatzuali Jacob)

Language is fascinating. You know how they say a picture speaks more than a thousand words? Sometimes a sentence speaks more than a thousand pictures!

Language can be used like:
a warm gentle hand; caressing, hugging, loving;
a wall, to separate and segregate;
a whip, to subdue and suppress;
a rock, to retaliate.

Language can be like a scream of horror.

Language can be:
loving, harsh, angry, cold;
questioning, pleading;
full of laughter one moment, solemn the next.

Language can elevate the common; tear down the proud. Language can calm, hurt; goad, encourage; dream.

Language is like a knife – that can chop up food or slit a throat.

*****

People ask me, “Why do I like poetry?”

I tell them, “Because poetry is to language what pottery is to mud.”




You may email Baruk Feddabonn at: baruk@provoke.co.in.

*****

Henceforth, I will sign off, borrowing a phrase by Sushma Nair (nee Menon), a student of mine from 1992 when SIMC used to be called "Symbiosis Institute of Journalism and Communication (SIJC)". She had had coined the phrase for me to use as the editor of Mile Sur Mera Tumhara, the house magazine of Deepak Fertilisers and Petrochemicals Corporation Ltd, Pune, where I worked in PR and Corp Comm (don't be shocked!!) during 1996-2003. Thank you, Sushma.

I hope the New Year 2009 is taking good care of you. Keep in touch by phone, SMS, email or through the evergreen postman.

Your support is my strength,
- Joe.

Pune, 16th January 2009.

Thursday, November 20, 2008

The clarity of poetry

My dear students,

POEMS are not for reporters, to read. Though I like poetry, that is what I used to prescribe in class. And also believe today, because poems do not consist of facts. But recently some of my students, especially Gauri Gharpure of Kolkata (who plays a cool blog, where “Life rules”) and some readers of my blog (who are into the “imagination” touch), have provoked me into re-thinking my stand.

Gauri shared with me a thought by a Russian poet, Mikhail Kuzmin (1872-1936), in which he calls for fellow poets “to seek beauty in the natural and physical world of their environment – to be industrious in language and vision in order to reflect the realness of the subject.”

This is what Kuzmin said in a 1910 address, “I beg you be logical in the design and structure of your work, in syntax . . . be a skillful builder, both in small things and in the whole . . . love words, as Flaubert did, exercise economy in your means, thrift in the use of words, precision and authenticity – then you will discover the secret of a wonderful thing: beauty clarity."

Those words became part of the mainfesto for a trend in poetry called “Acme-ism”, whose significant leading poets were Anna Akhmatova, Nikolai GumilĂ«v, and Osip Mandelstam. The link to Kuzmin is from the website of the Academy of American Poets http://www.poets.org/, which itself is a treasure. The Kuzmin collection, at Dalhousie University in Canada, available in electronic form and compiled by John Barnstead, can be accessed at this link. Dive into its riches.

Shown the quote without being told it was by a poet, I would have sworn it was by a journalist. For, as a journalist, I believe and practise what it says. I have been re-writing this piece with “thrift in the use of words, precision and authenticity” and when a word goes false, I cancel it out.


An editing tip I draw from Kuzmin is, “Omit needless words”. That was an advice William Strunk Jr. gave E.B. White, who was a student at Cornell in 1919. Strunk collected his advice in a “little book” called “The Elements of Style”. White revised his teacher’s textbook in 1959. Besides R.P. and T.J.S. George, Strunk & White should also permeate our style, stripping the text of needless gossip. Here is the link to Strunk's astute guide on the Elementary Principles of Composition


Now reporters, I dare say, ought to read poems. Unlearning, for me at 58, has been fun. But aren't reporters becoming endangered in today’s TV-driven world? There are the poets who can sing like the birds. But where are the poets who can describe like the reporters?

Warm regards,

- Joe.
Pune, 20 November 2008.